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Archive for the tag “Old Crow Medicine Show”

“JEEZ I CAN’T FIND MY KNEES”

This is about Bob Dylan’S 30 minute long “2016 Nobel Lecture in Literature” which was just provided by Bob on June 4.  
 
– This is NOT his 10 minute acceptance speech which was delivered by a woman in Stockholm at he ceremony.
– This is NOT about the content of Bob’s speech…it is about his delivery.  

But,  before I write about this I want to acknowledge to whom I am sending this.  
 
They are all people whom I believe (with one exception) have enjoyed with me and, in some cases, loved Bob’s music. 
Humor me please, here are my friends to whom I am sending this with fond memories of our joint experience of Bob Dylan’s work

     – Lawrence (Laddie) Davaney – my first cousin and oldest friend and he who, in summer of 1963, first introduced me to Bob Dylan’s work on a summer’s evening on a porch in their rental house in Los Also Hills
     – Kathy Sheehan – we went together to Dylan’s December 21, 1965 “Highway 61 Revisited” tour- his first electric shows
     – John Farnan – We spent hours studying the lyrics and crafting them into parts of our philosophy and theology papers at Santa Clara
     – Pete Borelli – we sang these songs in our apartment as we began to learn how to play the guitar; later we’d sing these songs as “buskers” in the streets and subways of Germany.
     – Greg Quintana – Bob’s civil rights song were the music that helped us shape our thinking and propel actions in support of the movement 
     – Dan Pisano – with whom I went to my second Dylan Concert – with Maria Muldar..later we got kicked out of Original Joes. This concert does not seem to show up on concert lists
     – Russ Rottiers – with whom I went to the “Gospel Tour” and waited for Bob to “play some folk songs”
     – Adam Welch – Nick and Jen’s cousin who is as close to a Dylan scholar as I know and who, with his Mom, has seen more concerts than me.
     – Jenny and Nick Greeve – two fine children who learned to love Bob despite his rough and crumbling voice
     – Frank & Mary Gill – who set up a fine concert last week where Joan Osborne sand 90 minutes of Bob’s songs
     – John Miner – who has shared that his one goal in his twilight years is “workin’ for a while on a fishin’ boat right outside of Delacroix
     – Rich Bader – with whom I’ve seen several Dylan concerts and his mother Mildred who worked for Dylan for 30+ years as his accountant (a great picture of Mildred and Bob many many years ago attached below)…Mildred was one of Margo’s favorite people and we loved our visits with her in New York.greev

OK – here’s  the link to Bob’s Lecture:   https://www.youtube.com/watch?v=6TlcPRlau2Q  

Here are my thoughts on it: While the lecture content is wonderfully written and ties together much imagery which runs through 50 years of his writing, there is little that a serious fan will find new.  It does show his thoughtfulness in reading and contemplating classic literature.  Most of the lecture is devoted to 3 novels:  Moby Dick, All’s Quiet on the Western Front, The Odyssey.

However, what I found most lovely was how Dylan talks throughout the lecture. How he uses his voice; how he caresses words or spits them out, and varies his vocal instrument continuously.  This is particularly rewarding give to that old saw “Good Songwriter but HORRIBLE singer”.

The arrays of sound mechanisms a person can use produces an individual “print” that is, like fingerprints and eye appearance totally unique to each individual.   These include attributes such as pitch, tone, air sensation, articulation, modulation, timbre, dynamics, intensity, accent, emphasis, length of hold, frequency level, shape of vowels, impact of consonants, their looseness or tightness, vibrato, etc etc.  In addition to the physics based variations there is the note structure of how sentences and phrases are constructed.  Ending on a high note, ending on a low note, how many notes might be used in a single syllable – all these can be varied.

I saw two fine concerts in the last month with Frank, Mary, Russ, Rich, and Abe where different musicians devoted hours to singing Bob Dylan songs:
     – Old Crow Medicine Show’s rendition of the Blonde on Blonde album
     – Joan Osborne’s concert of about 15 Dylan songs at The Aladdin Theatre.

While it was nice to hear these terrific songs, their interpretation in ALL instances was, to my taste, inferior in their quality of singing to the originals.  The words were the same, the bands were top notch, the venues were terrific. But I left longing for the originals and their moving, emotional, rendering which Bob created.  
Bob’s singing of most of these songs adds SO MUCH to the emotional impact of the lyrics, that to hear a whole set by someone who is not able to duplicate or expand on his phrasing merely reinforces the extremely controversial claim that Dylan, in his prime, was a great singer.  A rough, scratchy, raspy tone with annoying timbre’s and a bit too much nasal sound – yes he was;  but never the less GREAT in his ability to communicate the depth and type of feeling that he wants the song to communicate.

Rather than pontificate on what was missing I encourage each of you to listed to Bob’s lecture.  Set aside 30 minutes, put on a good set of earphones, and listen to his voice as it flows over the rich words – it is magnificent.

Here is the link again as kindly provided by our friend Ralph Henkhaus https://www.youtube.com/watch?v=6TlcPRlau2Q  
BobandMildredBader
and here is Rich Bader’s mom Mildred back in the days that they were a team:

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